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Detroit Tenors

Detroit Tenors

Detroit Tenors

Release Date: May 17, 2019

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“People love hearing two saxophones,” says tenor player Steve Wood. “But it’s more than just the idea of the conflict. I think another thing that people like about it is that both guys are playing the same instrument, but they sound completely different. It’s kind of interesting how two people can take the same instrument and yet sound so totally unlike each other.”

Wood studied music at one of the country’s first jazz programs, under the direction of Marvin “Doc” Holiday at Oakland University. He’s one of the two tenor saxophone players featured in Detroit Tenors. The group’s debut Detroit Music Factory recording, by the same name, is very much about the two-tenor saxophone tradition in jazz.

Detroit Tenors the record, like Detroit Tenors the band, is a shared vision between Wood and fellow tenor saxophone player, Carl Cafagna.


Evidence of Soul and Body - Miles Brown

Evidence of Soul and Body - Miles Brown

Evidence of Soul and Body - Miles Brown

Release Date: May 16, 2019

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Miles Brown comes from a musical family that runs generationally deep. His father is an accomplished jazz guitarist, and was the director of the Jazz Studies program at Ithaca College; his uncle played trumpet in Stan Kenton’s band in the 70s; and his grandfather was a high school band director and a vibes and marimba player for the Latin bandleader Xavier Cugat.

“There were always musicians coming through our house,” remembers Brown. “Mostly jazz musicians, staying the night, eating dinner, rehearsing.”

The format of Evidence of Soul and Body is traditional. The sound world is the acoustic jazz quintet, and there are about an equal number of standards as there are originals. But the arrangements and performances reflect the distinct influences of Brown and the other musicians: drummer Sean Dobbins, pianist Xavier Davis, saxophonist Diego Rivera, and his father, guitarist Steve Brown. The mood of the record is joyful throughout, which Brown attributes to his appreciation for the players.

“The album…is a tribute to music and family,” says Brown. “We created something that grew from the family that surrounds us, supports us and inspires us.”


Xavier Davis - Rise Up Detroit

Xavier Davis - Rise Up Detroit

Xavier Davis - Rise Up Detroit

Release Date: August 13, 2018

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In 1994, Xavier Davis was playing with his college ensemble at the International Association of Jazz Educators in Boston when legendary vocalist Betty Carter spotted him. Carter was so impressed with the talented young artist that she invited him to New York, hiring him exclusively as the pianist for her working trio.
Nearly 25 years later, Davis has played on more than 50 albums, including the Grammy-winning recordings “Bringin’ It” and “The Good Feeling,” by the Christian McBride Big Band, with whom he still plays. He has shared the stage and recorded with some of the jazz world’s most celebrated musicians, including Wynton Marsalis, Freddie Hubbard, Abbey Lincoln, Steve Turre … the list goes on.
During his time in New York, he also played keyboard for the hit television series “Cosby,” worked as the Musical Director for the Boys Choir of Harlem, and taught in the Jazz Department of the Julliard School of Music for six years.


Ron English - Dance/Cry/Dance

Ron English - Dance/Cry/Dance

Ron English - Dance/Cry/Dance

Release Date: August 06, 2018

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One day, speaking to a woman at his church, Detroit-based guitarist and composer Ron English talked about the CD he was working on for Detroit Music Factory (DMF). The record, he told her, would be called Dance/Cry/Dance.

Without missing a beat, the woman answered, “Isn’t that the truth.”


Scott Gwinnell Jazz Orchestra

Scott Gwinnell Jazz Orchestra

Scott Gwinnell Jazz Orchestra

Release Date: June 28, 2018

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Although Mulgrew-ology is a deep-dive into the essence of Miller’s compositional skills, Gwinnell takes what Miller did in his compositions and uses that imprint in different ways throughout his arrangements. The 17-piece orchestral arrangements help provide Gwinnell a blank canvas with which to bring the album to life, and listeners who are not new to Miller will appreciate the uncharacteristic choice.


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